In the beginning he sculpted about ten
crosses a year. The method of work has been preserved unaltered
to this day. The oak
wood is cut into beams that are then allowed to dry one or
two years. Next they are hewn into 10-cm thick planks, 2.20
m long
and 30-40 cm wide, ranged in stacks, and allowed to dry for
some months more. Then the sculptor begins his work: first
he draws
the geometrical motifs and the bas-relief dedicated to the
deceased, then he sculpts and paints the cross in blue - a
symbol of hope
and freedom. In 1934, Patras began to scribble an epitaph on
the crosses. Usually it is a short poem written in the first
person, dotted with archaisms, vernacular phrases and...spelling
errors. The sculptor-poet's source of inspiration is the two-three
night wake. The relatives of the dead person do not mourn,
but drink and make merry. The entire life of the village is
featured
in this cemetery. The shepherd, the farmer, the ranger,
the wood cutter, or the pupil stand side by eternally, with
the weaver, the spinner, the housewife, the merchant, the carpenter,
the doctor, the musician or the drunk. This collective memory
of Sapanta, this ensemble of colorful graves where each dead
person recounts humbly his/her existence with its joys and
sorrows, creates a serene and merry atmosphere, a sort of challenge
to
death, a hymn to life.

The
creative spirit of Stan Ioan Patras still hovers over the merry
cemetery of Sapanta even if today most of the crosses are concocted
by his students. His follower now is Dumitru Pop. Born into
a poor family, he studied with Patras since he was nine, and
during his holidays he sculpted miniature crosses and frescoes.
He went then to a vocational school in Timisoara and returned
to Sapanta in 1977, after the death of Stan Ion Patras. Ever
since Dumitru Pop has been living and working in the shadow
of his master, inhabiting the maestro's old home.
Very close to Sapanta is the Peri Monastery which has the tallest wooden church
in the world, 78 meters tall. It is placed in a very picturesque dendrological
garden. The monastery was newly erected on the site of a very old one.