Voronet
is considered by many to be the "Sixtine Chapel of the
East",
due to its magnificent frescoes placed on the West wall. These
feature an intense shade of blue known in Romania as , "Voronet
Blue", a colors obtained from lapis lazuli, which has
been added to the lexicon of art alongside colors such as
the "Titian
Red" and "Veronese Green", being unique.
An old
Romanian chronicle written by Ion Neculce (1672-1745), records
that Stephen the Great founded Voronet Monastery in
1488 to fulfill a pledge to the hermit Daniil, who had encouraged
the ruling prince of Moldavia to chase the Turks from Wallachia.
After having won the battle against the Turks, Stephen erected
Voronet in three months and 21 days on the very spot Daniil
had his small wooden hermitage.
It remained a working monastery until the start of Habsburg
rule in 1785, and only became a religious retreat again
after the fall of communism in 1991. Today it is a nun
monastery
consecrated to St. George, lying at a walking distance
from the Gura Humorului town. Under the abbacy of Mother
Superior
Irina Pantescu, this new community strives to harmoniously
combine a religious life of prayer and worship with housekeeping
and farm work, running a painting workshop and providing
guided tours for the visitors of the monastery.
Voronet Monastery is probably the most accomplished sample
of Moldavian artistic achievement in architecture and painting.
The monastery was built at a time of peace with the Turks,
when Stephen had centralized the state, giving a new impetus
to its economy and culture. Its inside and outside paintings
were made between 1534-1535, during Prince Petru Rares's
rule and at the behest of Metropolitan Grigore Rosca, a
salient scholar of his time. In 1547 Grigore Rosca added
to the monastery
a porch. The paintings on the church walls (which have
been made by masters whose names remained unknown, except
that
of Marcu, master painter, whose name is inscribed on the
left side of the entrance door) have a distinctive chromatic
harmony, a special manner of composition, nerve and clarity.
They are imbued with the softness and warmth of the Moldavian
spirit, whereas their colors were drawn from the surrounding
nature abounding in blue and green. The artistic approach
of painters has a warm humanism, as religious scenes depict
Moldavian living people of those times. Thus the angels
of the frescoes have the sweet faces of Moldavian women,
the
archangels blow the bucium - a Romanian shepherd's musical
instrument similar to an alpenhorn- the souls carried to
heaven are wrapped in Moldavian towels, whereas the souls
doomed to the fire of hell wear turbans just like the Turks
- Moldavia's fierce enemies at the time.
The "Last Judgment" painted
on the western wall of the church is probably the finest composition
among the paintings
of the monasteries in Moldavia. In the fire of hell (a grand
funnel of live coals opening at the feet of Jesus), sinners
among whom, illustrious characters, kings, popes are struggling
their
way out. Near the seat of judgment, Adam and Eve are represented,
along with bands of prophets, hierarchs, martyrs and Moses.
In another illustration, a hand is holding the scales of justice
where the sins of mankind judgment are being weighed. To the
right and to the left, the devils are quarreling for possession
of the accused. Among the sinners, there are many Turks and
Tartars,
with harsh faces and fierce looks. The animals, too, take part
in the judgment, handing back fragments of human torsos to
complete the bodies that were torn to pieces by wild beasts.
The deer
alone as nothing to hand back, for in Romanian folklore it
stands for innocence. At the Gate of Heaven people rush to
get in; the
painter wishes to express humorously how people hurry to enter
the Garden of Eden. The southern wall displays "Jesse's
Tree", the fabulous genealogy of Jesus. A fresco including
eight panels and almost one hundred characters develops in
luxurious interweaving of vine branches and tendrils. Also
on the southern
side is painted the portrait of Daniil the Hermit. On the northern
wall, more exposed to the elements of weather, there are still
a few elements representing the "Creation of the World" and
a popular legend, "Temptation of Adam", which is
also painted at Sucevita and Moldovita monasteries.
Among the paintings on the interior walls of the church mentioned
should be made of "The Last Supper", whereas the
nave holds a painting representing Stephen the Great, his
wife, Lady Maria Voichita, and their son, Bogdan. The
chair of the ruler in the church is a masterpiece of wood carving.
The Church has a trefoil form proper to the medieval Moldavian architectural
style, predominantly Byzantine. Voronet is quite impressive by its size, i.e.
25.50 m long (apart from the porch), and 7.70 m wide. The doors of the porch
have a Renaissance framing, whereas the stone carvings of the broken arches
at doors and windows belong to the Gothic style. The existence of exterior
buttresses
signal a Roman and Gothic architectural influence in the strengthening of
constructions, and hence the affiliation to western styles of art.
Romanians consider Voronet Monastery as a place of reference
for their culture. It is a place where historic and religious
works were issued. Among them, it
is worth mentioning "The Old Manuscript from Voronet" and "The
Psalm Book from Voronet". Upon his death, SWDaniil the Hermit, who also
was the first Abbot of Voronet, has been canonized as a Saint and celebrated
by
the Orthodox Church on the 18th of December. His tomb is to be found in the
narthex,
watched over by a burning flame.